OVERGROUND (2000s): post-perestroika, poetry and D2O

Caught in between the tides of the dwindling post-Soviet underground and the emerging new wave of the Russian rock music, in the early 2000s Alisa Apreleva was prolific and active as a performing singer poet. Praised  for her “unique’ style and sometimes ostracized for epatage, she gained a significant following and toured extensively both solo andContinue reading “OVERGROUND (2000s): post-perestroika, poetry and D2O”